SIRUI 35mm F1.8 S35 Anamorphic Cinema Lens 1.33x S35 Series
SIRUI 35mm F1.8 S35 Anamorphic Cinema Lens 1.33x S35 Series (RF Mount)
SIRUI 35mm F1.8 1.33X S35 Anamorphic Lens | Game-Changer Anamorphic
Built according to the highest standards, this 35MM anamorphic pro lens achieves the FOV of a 26.3mm camera lens by widening the horizontal FOV up to 33%, offering you a ultra wide-screen flattering cinematic look.
SIRUI 35mm F1.8 1.33X S35 Anamorphic Lens – Immersed In Widescreen Visual Feast
This 35mm Anamorphic is a game-changer, providing a wider 1.33x cinematic look, superb, silky depth of field, Sci-Fi lens flares and creamy oval bokeh.
Wider Field of View
1.33x Cinematic Squeeze Factor
Featuring a 1.33x squeeze factor, this 35mm lens delivers an ultra-wide horizontal angle of view.
Premium 35mm
Versatile Focus Length
Wide enough to capture background elements, but close enough to shoot more intimate details.
Silky-Smooth&Stepless
Maximum F1.8 Wide Cine Aperture
Maximum F1.8 aperture enables cameras to take in more light in even low light conditions.
Crisp&Natural Image
Sharp, High Resolution Image
Produce sharp, quality imaging with a smooth depth of field.
Distinctive Cine Effect
Sci-Fi Cinematic Light Art
Produces unique blue light streaks and star burst for optimum cinematic visual effect.
Breathtaking Aesthetic
Breathtaking Creamy Oval Bokeh
Enchanting oval bokeh couples with the foreground delivering an upgrade aesthetic look.
Precise Control
Explore From 0.85m To Infinity
Focus breathing is well contained. Hard to find a zooming motion to the shot while racking focus.
MFT/L/RF/E/EFM/Z
Wide Compatibility
Available in native MFT, L, FR mounts and E, EF-M.Z adapters.
State-of-the-art Technology and Premium Details in SIRUI 35MM S35 Anamorphic
1Compact&Lightweight267MM FILTER THREAD3DUAL SCALES4CINE HOUSING5191.2° RotationSIRUI Cine Lenses | Premium and Affordable | Master the Art of Cinematic
 35mm Anamorphic Lens |  24mm Anamorphic Lens |  50mm Anamorphic Lens |  75mm Anamorphic Lens | |
| Focal Length | 35mm | 24mm | 50mm | 75mm |
| Aperture | F1.8-F16 | F2.8-F16 | F1.8-F16 | F1.8-F16 |
| Lens Structure | 13 Elements in 9 Groups | 13 Elements in 10 Groups | 11 Elements in 8 Groups | 16 Elements in 12 Groups |
| Aperture Blades | 10 | 8 | 10 | 13 |
| Support Frame | APS-C / S35(L,RF mount) | APS-C / S35(L,RF mount) | APS-C / S35(L,RF mount) | APS-C / S35(L,RF mount) |
| Shooting Distance | 0.85m-∞ | 0.6m-∞ | 0.85m-∞ | 1.2m-∞ |
| Focus Method | Manual Focusing | Manual Focusing | Manual Focusing | Manual Focusing |
| Maximum Magnification | 1:10.63(V),13.83(H) | 1:21.99(V), 1:29.07 (H) | 1:15.38(V),1:20.17(H) | 1:14.47(V),1:18.45 (H) |
| Filter Spec | M67X0.75 | M72X0.75 | M67X0.75 | M67X0.75 |
| Mount | MFT/E/EFM/Z ,L/RF | E/X/EFM/Z/M43 ,L/RF | E/X/MFT ,L/RF | E/X/EFM/Z/MFT ,L/RF |
SIRUI HOT PRODUCTS | HIGHLY RECOMMENDED CINE LENSES
SIRUI 35MM 1.6x Full-Frame Anamorphic Lens
T2.9-T16 Aperture
0.9m-∞ Shooting Distance | M82×0.75 Filter Spec
E/RF/L/Z-Mount
£1,280.90
SIRUI 50MM 1.6x Full-Frame Anamorphic Lens
T2.9-T16 Aperture
0.75m-∞ Shooting Distance | M82×0.75 Filter Spec
E/RF/L/Z Mount
£ 1,280.90
SIRUI 100MM 1.6x Full-Frame Anamorphic Lens
T2.9-T16 Aperture
0.93m-∞ Shooting Distance | M82×0.75 Filter Spec
E/RF/L/Z-Mount
£1,280.90
SIRUI 75MM 1.6x Full-Frame Anamorphic Lens
T2.9-T16 Aperture
0.85m-∞ Shooting Distance | M82×0.75 Filter Spec
E/RF/L/Z-Mount
£1,280.90
SIRUI Jupiter Macro Full-Frame Cine Prime Lens
24MM/35MM/50MM Focal Length
T2-T22 Aperture | 0.79ft(0.24m)-∞ Shooting Distance
EF-Mount and PL-Mount
£ 896.90 – £ 2,477.90
SIRUI 28-85mm Full-Frame Parfocal Zoom Cine Lens
T3.2-T22 Aperture
2.3ft(0.7m)-∞ Shooting Distance | M110×0.75 Filter Spec
EF-Mount and PL-Mount
£ 2,562.90
SIRUI cine lenses are tailored for diverse applications:24mm anamorphic lens is for wide-angle shots,35mm for humanistic shots,50mm for subject separation shots,75mm ideal for portrait and emotional rendering.
Please Make sure this lens fits your camera model number!
| Weight: | 1 Kilograms |
| Size: | RF Mount |
| Dimensions: | 11.7 x 7.1 x 7.1 centimetres |
| Brand: | Sirui |
| Model: | SR35-RF |
| Part: | SR35-RF |
| Dimensions: | 11.7 x 7.1 x 7.1 centimetres |
| Size: | RF Mount |
I LOVE this lens. The 35mm is the perfect length. It truly has a Cinema look to it. Nothing cheap about this lens at all. Well worth the price, which is not bad at all for the value it brings to your work. I will say that this lens is a bit on the heavy side but with the right camera setup you’ll be fine.
Ordered this lens, initially the wrong mount but Sirui customer service (Yvonne) was incredibly helpful and responsive allowing me to exchange it for the correct mount I needed (ordered 3/4 mount by accident but needed e-mount).
Lens is really fantastic, using it with my a6400 but nothing but pleased. with it has stabilization, but no need to be greedy 🙂
Cet objectif s’adapte parfaitement un Lumix S5 monture L. L’image est sharp mme pleine ouverture, et le bokeh oval en plus de l’emblmatique flare, donne un look unique l’image.
Lorsque vous filmez en full frame, vous devrez, en post production, en plus du DeSqueeze, zoomer dans votre image pour liminer le vignettage (qui est d au fait que l’objectif soit pens pour tre utilis sur un APS-C/Super 35).
Sa distance de mise au point minimale est d’1 mtre, c’est qui juste, mais tout fait normal compte tenu de la nature de cet objectif. Il est possible de corriger cela avec des filtres Dioptrie appel aussi filtre “Close-up”
Overall it’s a great lens. Excellent picture quality. As mentioned by others, the lens doesn’t fit full frame cameras, which is unfortunate since I have a Sony A7C. But… it still looks great with minimal to zero vignetting when I crop in 1.4x with Clear Image Zoom. The rear lens cap didn’t fit the E Mount (since I had to add the adapter once I received the lens), but I asked about it, and they were happy to send one out. Super happy with the purchase so far.
Great build quality and sharp clean glass for abaegain price. Great customer service with (unprompted) assistance in choosing the correct mount for my camera.
I wish the minimal focal distance was more prominent in the description and the only thing that keeps this from a 5 star is that the focus ring is not free floating, meaning a slight jolt when you reach either minimum or maximum focal distance which ia an issue on an electric follow focus wheel.
This lens is a complete game changer. It’s solidly built, incredibly sharp and the image rendition is superb. The Bokeh and flaring look really nice and it’s hard to believe you can now get an anamorphic lens and not pay !
Unpacked the Sirui 35/1.8 this morning. After a half day of testing, it looks like a no brainer, especially if you own the Z Cam S6. Sharpness is perfectly fine, as is color and contrast. Maybe there is a touch of added color so be careful with the WB. Distortion is as expected, mostly correctable with the built in PP plugin. Or just leave it. Clickless, smooth aperture. There is some color fringing with backlit subjects.
I filmed the tests on the S6 in “open gate” to make full use of the 6K+ S35+ sensor. I was able to view the footy on my monitor desqueezed and also in the app.
I dropped the footy into PP into a standard 8K sequence. Yes, 8k from 6K open gate. Setting the image size to 93 percent, the image just touches the edges while leaving two narrow letterbox strips. Fine–you can add thicker black bars or zoom up to 102 percent to get 8K with no bars. It’s all good. You can downsample, crop, whatever you want. Lots of choices.
My copy was shipped direct from the factory and I waited more than a month for it. Glass was perfect, exterior had a tiny scuff mark, no biggie.
You can manual focus very well at F1.8 and then I like to stop it down to F4, but it is certainly usuable wide open.
Clickless aperture and focus is very smooth and there are two rings included for gearing. No hood, which is cheesy for an $800 lens IMHO. 🙁
@theusualeditor re: thin air pixels–this lens allows me to film open gate on my Z Cam S6, so I’m not losing or cropping any pixels except some in the horizontal which unsqueezes a tiny bit wide. And, here, I’m not losing but cropping oversize. Ordinarily, a lot of these pixels would be unused, just like on most 4:3 or whatever cameras. So this lens get every drop of pixel juice out of the slightly oversized sensor.
So because of the open gate, it’s like the extra resolution you get when you used film back in the olden days. And, in H265 I’m getting manageable file sizes.
But, beyond that, it looks cracking when you drop it into an 8K timeline.
(Yes, there are blue flares easy peasy.) P.S. It isn’t light.