Tenet [Amazon Exclusive Limited Edition Steelbook] [4K
![Tenet [Amazon Exclusive Limited Edition Steelbook] [4K Ultra-HD] [2020] [Blu-ray] [Region Free]](https://k4s.uk/posts/wp-content/uploads/2023/06/81KG053q8jL.jpg)
Tenet [Amazon Exclusive Limited Edition Steelbook] [4K Ultra-HD] [2020] [Blu-ray] [Region Free]



Dimensions: | 17.2 x 13.6 x 1.4 cm; 290 Grams |
Dimensions: | 17.2 x 13.6 x 1.4 cm; 290 Grams |
Origin: | Poland |
I have to be honest. I’m an intelligent guy, bit this movie, it took me until the third time I watched it before I understand it 100%. 🙂
A thrill-packed story from beginning to end, it deals with time going forwards and backwards at the same time.
I loved this movie from the first time I watched it, (even though I only understand about 80% of it), and I love it even more now that I’ve seen it 3 times. (Now I understand 100% of it.)
Just don’t blink or you’ll miss an important detail. 🙂
A Christopher Nolan classic in the same vein as Inception.
a bit like 10 episode Netflix’s or Amazon’s series edited into a feature movie with all enjoyable/addictive bits removed.
if the whole pseudo-scientific idea given some more interesting context or characers given a bit of personality, watching it wouldn’t be such a torture
great locations and cinematography, decent action-adreanline scenes, unfortunately all wrecked by soulless characters, dull and pointess dialogues, vague story line, lack of interesing details
not much of a cinema, rather fine TV/Streaming production style but instead of 10 hour long plot’s development, all forced down to 2h29m, as a result we’re left only with necessary cuts stitched up together to roughly make some basic sense
people mentioning Matrix, Inception or Interstellar are talking about art of action cinema, here we’ve got some impressive craftsmaship but art something that is rather missing.
4 stars only because I’m Nolan’s fa
What seems to escape discussion is that this is a beautifully filmed & choreographed movie. Due to the meeting of time flowing forwards & backwards, there are an abundance of very clever and disorientating shots & sequences where fights read like dances; in fact it is safe to say there are some concepts & techniques combined here for the first time, in total originality. Not many films can boast such a claim.
I hoped at the time of TENET’s release that it would open the minds of other writers, producers & directors to come up with new idea’s, rather than spawn a decade of copy cat’s. This is even more important after the decision to release amidst the pandemic, giving this film a very tough start in public life. I’m glad to say 3 years on the lazy mimics left this one well alone.
4 stars, why? If your going to break the cinema rules with sound frequency, as welcome as it is, get the vocal mix right. I’ve only found one way to correctly enjoy this, & its with my very clear studio headphones on. I am sure there is much to consider with multiple playback scenario’s, but, a little gate & compress around those vocals would not have been so tough. A great audio tactic let down at the engineering stage.
For its concept & boldness & the lasting impression, I’d say this is a really important film & an absolute triumph, no matter what it grossed on its release.
.. the echoes of its better older brother Inception can’t be ignored, but this is a great film in its own right, however the Euro-centric slant and more high brow abstract plot may turn off a lot of people.
The premise though is fun, the main “protagonist” carries his role perfectly and Robert Patterson is great as his sidekick. I would recommend it, if you thought Nolan’s best film was Inception.
Yes, the plot is very intricate, and can be hard to follow. As a result, it makes it worth seeing multiple times as I missed things here and there. What I missed did not spoil the movie, but a second and third viewing certainly helped to clarify such a clever plot! This is real Sci-Fi in that time-bending had a plausible science behind it. Well, it seemed plausible in how it was described in scientific terms.
John David Washington proves that it’s possible to have a non “white” lead play an agent protagonist. Therefore, it will be no big deal to update the Bond franchise with all kinds of people playing 007. Just as long as they don’t go ‘woke’ with the character!
The one minor complaint I have is that the romantic subplot went nowhere. Sure, it is good to show that male and female leads in a spy-like action movie don’t have to get in bed with each other. However, the chemistry was there in the script and how the characters interacted with one another. Was this a cop out? Or was it a case of like father, like son?
Altogether, a very well acted movie. John David Washington is certainly one to watch out for, and Robert Pattinson scored another goal for his career! Those two really worked well together! It’s a refreshing take on the ‘Buddy’ genre.
Perhaps a less convoluted sequel is in order?
Very impressive – a level of technical production we don’t see very often, eye-popping visuals and solid performances from all the main protagonists (hee hee).
I’m sure that someone, somewhere understands what the heck happened – and more importantly what order it happened, but I don’t think that person is me.
It reminded me of reading some of the later Dune novels, there are parts where you don’t know what’s going on, but it doesn’t matter because the journey is so enthralling.
I think it needs watching several times – it’ll probably start clicking into place a bit more.
This was released during the pandemic, so I didn’t get to see it in the movie theatre. I would have enjoyed it very much on the big screen. Still, I bought a dvd and viewed it in the comfort of my own home. It took me a while to get my head around the plot, and it made sense by the big reveal at the end. It must have been hell to edit! In a way, I’m reminded in some ways, of the premise of Sisyphus, the Netflix series. Not exactly, but there is a time shift in both, and past and present get entangled, all out of synch. I think this is a film that you need to watch more than once to gain the full experience. I like movies that make me think.
I don’t regret watching it for it’s entertainment value, plenty of set piece action.
But let me tell you why I’m bothering to write a review. I bought the DVD and it has no extras, and it came in the flimsiest case I have ever seen, literally bends under gravity. The only thing keeping it rigid is the cardboard sleeve.
I did frame step during a car chase sequence to confirm something, but this was not necessary, the film makes a point of showing it to you again a little later. Fine control over the playback is one of the few things you can’t do with movie streaming services.
Take this into consideration when looking at your buying options and price points, were you enticed by the trailer and want to see it? Or do you want to dissect every scene frame by frame, in slow motion, forwards and in reverse?
Nolan took more than five years to write the screenplay after deliberating about Tenet’s central ideas for over a decade. Pre-production began in late 2018, casting in March 2019, and principal photography lasted three months in Denmark, Estonia, India, Italy, Norway, the United Kingdom, and the United States, from May to November. Cinematographer Hoyte van Hoytema shot on 70 mm and IMAX. Scenes of time manipulation were filmed both backwards and forwards. Upwards of one hundred vessels and thousands of extras were used.
Delayed three times because of the COVID-19 pandemic, Tenet was released in the United Kingdom on August 26, 2020, and United States on September 3, 2020, in IMAX, 35 mm, and 70 mm. It was the first Hollywood tent-pole to open in theatres after the pandemic shutdown, and grossed $362 million worldwide, making it the fourth-highest-grossing film of 2020. However, it failed to break even due to its costly production and marketing budget, losing distributor Warner Bros. Pictures as much as $100 million. The film received generally favourable reviews from critics on Metacritic, with Rotten Tomatoes saying it had “all the cerebral spectacle audiences expect from a Christopher Nolan production.”
Plot (WARNING MAY CONTAIN SPOILERS)
A CIA agent, the “Protagonist”, participates in an undercover operation at a Kyiv opera house. His life is saved by a masked soldier with a red trinket, who “un-fires” a bullet through a hostile gunman. After seizing an artefact, the Protagonist is captured by mercenaries. He endures torture before consuming cyanide. He awakens to learn that the cyanide was a test of his loyalty; his team has been killed, and the artefact lost.
The Protagonist joins a secret organization called Tenet. A scientist shows him bullets with “inverted” entropy, which allows them to move backwards through time. She believes that they are manufactured in the future, and a weapon exists that can wipe out the past. Aided by a local contact Neil, the Protagonist traces the bullets to arms dealer Priya Singh. He discovers that she is a member of Tenet; her cartridges were purchased and inverted by Russian oligarch Andrei Sator.
The Protagonist approaches Sator’s estranged wife Kat, an art appraiser, who authenticated a Goya drawing forged by a man named “Arepo”, which Sator thereafter purchased for $9 million from Arepo; Sator uses the drawing to blackmail her and keep her under his control. The Protagonist plots to steal the drawing with Neil from a free port facility in Oslo Airport. There they find a machine, a “turnstile”, and fend off two masked men. Priya explains that the turnstile can invert the entropy of objects and people, and the masked men were the same person.
In the Amalfi Coast, Kat introduces the Protagonist to Sator, but learns that the drawing is intact. The three go boating, and Kat attempts to drown Sator, but the Protagonist saves him. The Protagonist offers to help Sator retrieve a case, which, he says, contains Plutonium-241. In Tallinn, the Protagonist and Neil ambush an armoured convoy and steal the case, which contains the artefact lost in Kyiv. They are ambushed by an inverted Sator, who holds Kat hostage. The Protagonist gives Sator an empty case, and he retreats. The Protagonist saves Kat but is captured and taken to Sator’s warehouse.
The inverted Sator shoots Kat with an inverted round, while the normal Sator demands the location of the artefact; the Protagonist gives him false information. Tenet operatives led by Ives rescue the Protagonist while Sator escapes. The group take Kat through Sator’s turnstile to invert her, reversing the effect of the round. The Protagonist returns to the ambush site and chases Sator. His vehicle is overturned, and Sator sets it on fire; the Protagonist is saved by Ives’ team again. Neil reveals that he is a member of Tenet.
The Protagonist and Neil travel back in time to the free port in Oslo. There the Protagonist fights his past self and enters the turnstile to revert himself, followed by Neil and Kat. Priya explains that the artefacts are parts of an “algorithm”, which Sator is assembling, capable of catastrophically inverting entropy.
Kat reveals that Sator is dying from pancreatic cancer. He will trigger the algorithm with a dead man’s switch, believing that the world should die with him. Kat believes that Sator will kill himself during their vacation, when they were last happy together. The Protagonist, Neil, Kat, and the Tenet forces invert back to that day, so Kat can delay Sator’s death, while Tenet secures the algorithm.
Tenet tracks the algorithm to Sator’s hometown of Stalsk-12 in Northern Siberia. In a “temporal pincer movement”, red team troops move forward in time, while the blue team troops move backward. The Protagonist and Ives are aided by a masked corpse of a blue-team trooper with a red trinket on his backpack after seeing him dying in reverse. In Vietnam, Kat boards Sator’s yacht and kills him, as the Protagonist and Ives secure the algorithm.
The Protagonist, Neil, and Ives break up the algorithm and part ways. The Protagonist notices the trinket on Neil’s rucksack. Neil reveals that he was recruited by the Protagonist years in the future and that this mission is the end of a long friendship. Priya attempts to have Kat assassinated, but is killed by the Protagonist, who has realized that he is the future mastermind behind Tenet.
I always love a Nolan movie from Memento to Dunkirk and now Tenet. On the first watch, you may get a little lost but this will only bring you back another time and realize how simple the story really is.
British-born director Christopher Nolan clearly has a ‘thing’ about time: the effects it can have on people’s conscious and unconscious mind; how time affects reality; how time is relative. It is a thread running through so many of his films, from ‘Memento'(2000), a Neo-Noir which deals with murder and amnesia; through the thriller ‘Insomnia'(2002), set in Alaskan summer and it’s eternal daylight; Sci-fi drama ‘Inception'(2010) where dreams and reality are manipulated; ‘Interstellar'(2014) dealing with the effects of space travel on time. Even ‘Dunkirk'(2017) uses different time frames running parallel, to cover the action of May-June 1940.
In his latest block-buster, which weighs in at a whopping 2 hours 30 minutes, Nolan again makes time the centre-piece of his plot. It is another Sci-Fi thriller, and again is written by Nolan himself, using ideas he has been working on, literally, for years. But if you struggled with the notions of time in the notoriously complex but scientifically accurate ‘Interstellar’, or the notoriously controversial “Dunkirk’, you are in for a torrid time here. Because the timelines here are running forward and backwards, sometimes separately, sometimes concurrently, and the complexity is such, you probably need to watch this film with a calculator in your hand!
Whilst I followed both the 2 earlier films pretty well, at first viewing, here, I was totally flummoxed quite early on. Eventually, I just decided to sit back and enjoy the ride. And the ride is pretty good.
The film is firstly, VERY handsomely filmed, with magnificent scope and sweep. We get a world tour of good-looking places, all beautifully photographed. We also get some seriously brilliant set-pieces. I would recommend especially a spectacular scene with a cargo plane, and another with a pair of F50s, the world’s fastest sail race boats, racing in the Solent (standing in for the Amalfi coast!); and also a bungee jump to make the eyes water. There are several equally spectacular car chases, armed excursions of various sorts, and fights.
Former American footballer and actor John David Washington, who came to prominence in the mordantly funny ‘BlacKkKlansman'(2018) makes an attractive, muscular and effective hero, surrounded by several excellent British stars, including a viscerally unpleasant Kenneth Branagh, a very couth Michael Caine, and a nicely understated Robert Pattinson, making up for his serious thespian own-goal, in ‘The Lighthouse'(2019).
So, did I like ‘Tenet’? Yes-ish. It probably needs at least another viewing, but at first sight, I don’t rate it as highly as several of Nolan’s other works. I thought it was slightly over-clever, at the cost of understanding, and also a bit chilly and un-involving. Moreover, I was also left asking ‘Why?’, rather loudly. So, just 4 big, brutal Stars.
The movie arrived in perfect condition and promptly, fulfilling the pre-order terms.
As for the movie itself, it is a masterpiece of storytelling and action. A callback to the times of old where style, scenery and scale were hallmarks in spy thriller escapades. The casting was superb and daring, each captivating in their roles. The score perhaps the only disappointment, not being bad on any level and thoroughly enjoyable but left me intrigued to wonder what Zimmerman would have come up with to fit the movie’s theme much like the excellent Inception score.
For most the story will require more than one playthrough to truly grasp the intricacies expertly woven from start to end.
Where it inevitably and often unfavorably will be compared to Nolan’s previous works by those far less appreciative of the excellent dynamics, don’t let that or them put you off in any way. Each of Nolan’s personal works explores the wonder of the nature of time itself and he is careful not to retread or revisit paths he has walked before. Tenet is no exception but rather stands as a far more direct venture into his passion and fascination with time.
Ironically the movies only Achilles heel was it’s timing as this year’s upheaval placed undue expectations on it and also never allowed it the be promoted as it deserved.
Hopefully now it is available for direct release it will find appreciation in viewers although they will likely never again get the opportunity to be impacted by the intended iMAX presentation it was made for.
This has easily become one of the best films I have seen in recent times. And hopes it will welcomed by many more, for “posterity”.
Some Actors deserve an extra thank you; Kenneth Branagh is the embodiment of the psychology of the role he is playing and if he does not win an Oscar then I will be extremely surprised and disgusted. John David Washington was, in my opinion, the character who by his excellence in acting drew the viewer through this incredible tale. In fact, he made all the difference and is another who deserves an Oscar. Any review would be for nothing without a strong mention for Elizabeth Debicki who provided an exceptionally balanced performance that acted as a reference point to all that was happening. Another Oscar I hope.
Tenet is a film I shall watch a few more times in the future, or past, and I am certain that I will learn each time.
Thank you Christopher Nolan, you are a genious.