Behringer CP35 ATTENUATORS Legendary Analog Attenuator and Multiples Module for Eurorack
CP35 ATTENUATORS
Legendary Analog Attenuator and Multiples Module for Eurorack
- Authentic reproduction of the circuitry from the “Modular 55 & 35” Series
- Artist roster includes world’s most famous pop, rock and jazz musicians
- 4 passive attenuators with linked inputs
- Fixed +/-6 Volt CV reference voltage with 2 linked outputs each
- Dual 4-socket multiples for splitting CV or audio signals to multiple destinations
- Eurorack specs: 21 HP, 1 mA +12 V, 1 mA -12 V
CP35 ATTENUATORS
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Modular SynthesisThe first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op-amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records we’ve ever heard. Modular synths were a landmark development in electronic music and today, it’s about to get better. | CP35 ATTENUATORSEnter the Behringer CP35 ATTENUATORS Module. An authentic reproduction of the circuitry from the “Modular 55, 35 and 15†Series used by the world’s most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that’ll fulfill any synth geek’s wildest dream. | AttenuatorsThe CP35 features 4 passive attenuators with linked inputs and 4 separate outputs. Each attenuator knob can be used to adjust the level of the input signal passively from – ∞ to unity gain. Connecting a single signal to the first input will allow it to pass to all 4 outputs to have up to 4 variations of a single signal source. Introducing a signal into the subsequent outputs will break the chain from the previous input. For example, if you have a signal in input 2, then this will feed into input 3 and 4 leaving input 1 to feed out of output 1. Having multiple inputs allows you to attenuate 4 separate signals and be more flexible with your tone. |
CP35 ATTENUATORS
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More Than Just OutputsAlong with the standard outputs, the CP35 also features 6-volt outputs. These outputs give a reference voltage of -6 Volts out of one pair and +6 Volts out the other. Also included are two banks of 4-point multiple circuits for you to be able to route multiple copies of input signals to other modules. The CP35 can be a powerful addition to your synthesizer rig by allowing you to have multiple sources output to multiple modules so you can shape and sculpt sounds that are sure to blow everyone away! | Eurorack ReadyInstalling the CP35 is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the CP35 to be mixed with other synth modules for a truly unique set up. | Complete Your CollectionWhether you’re just getting into modular synths or looking to complete your collection, the CP35 ATTENUATORS module from Behringer is a great tool to have when creating amazing music. |
| Weight: | 81.6 g |
| Dimensions: | 32.77 x 26.92 x 8.89 cm; 81.65 Grams |
| Model: | CP35 ATTENUATORS |
Buena calidad y económico
Mdulo muy funcional en cualquier sistema eurorack y adems econmico
Versátil y económico
Adquir varios mdulos Behringer con cierto escepticismo pero debo admitir que me sorprendi la calidad de su construccin y naturalmente su desempeo al incorporarlos a mi sistema
ADSR
A pretty staple ADSR. Great for the price and even better if you can one used.
An authentic reproduction of the circuitry from the “Modular 55, 35 and 15” series.
4 independent controls for Attack (T1), Decay (T2), Release (T3) and Sustain levels from 0 to +5 Volts.
Having square nuts that move around instead of just rails is my only complaint about this. Everything works perfectly fine and powers my modules, but i wish i had spent a little more on a happy ending kit since those use rails and are much easier to work with
Having square nuts that move around instead of just rails is my only complaint about this. Everything works perfectly fine and powers my modules, but i wish i had spent a little more on a happy ending kit since those use rails and are much easier to work with
Tut was es soll
Funktioniert wie erwartet gut. Bitte beachten, das es hier um TS-Triggerung geht.
I think the price paid seemed a little high, but since it works so well, I will say it is ok. Worth it. You can really make your three synths look nice all stacked up like this. I'd say go for it, get it, you will not be disappointed really.
I think the price paid seemed a little high, but since it works so well, I will say it is ok. Worth it. You can really make your three synths look nice all stacked up like this. I’d say go for it, get it, you will not be disappointed really.
Solid rack ears - I fitted them to my Behringer Wasp, and they work like a charm.
Solid rack ears – I fitted them to my Behringer Wasp, and they work like a charm.
Originally got this just to ratchet my 960, but am using it more as an oscillator now. Sounds great!
Originally got this just to ratchet my 960, but am using it more as an oscillator now. Sounds great!
It holds my neutron, K2 and pro1 perfectly! I used it for a few months with just a neutron and a k2, and it worked fine for that, too!
It holds my neutron, K2 and pro1 perfectly! I used it for a few months with just a neutron and a k2, and it worked fine for that, too!
This is very sturdy and the synths fit in nicely. I have the neutron, k2, and pro-1 in there. The back is open, so you have access to the midi dip switches and the inputs/outputs.
This is very sturdy and the synths fit in nicely. I have the neutron, k2, and pro-1 in there. The back is open, so you have access to the midi dip switches and the inputs/outputs.
Good case, sliding nuts are a pai
Nice case, sliding nuts are a bummer vs full inserts. 3 separate 1a boards clean power up to 3x800ma modules allowing 20% headroom for best practice. Just fired it up after calculating loads per bus. Now getting the sliding nuts to all be in the right spots is a pain. Threaded inserts are far preferable, they allow swapping modules easily, without having to remove adjacent modules. Sliding nuts are wack.
Decksaver make a lid and it fits with patch cables in. It would be great if this unit was built with a latching lid. But price to power to HP the go is a solid bet.
Bonne qualité pour le prix.
Ce module offre plusieurs types de son incluant un LFO. Connect un VCO et un VCF les rsutats sont intressants et sans limites
The reason I bought the fixed filte
I’m building a system 55 from scratch and started with this module its quite large so if your short on HP then look for another filter but this one is actually very nice and sounds beautiful, now these modules aren’t expensive compared to say, eurorack as some of those modules can be very highly priced and a bit of a scary thought but these modules are great value for money.
Brilliant value
Builta clone of a moog model 15. Obviously the moog stuff is larger and better made but for the price these Behringer modules are fantastic and sound brilliant. To buy a moog reissue of the whole system would cost me 10,000 which is just not possible. I’ve managed to build the Behringer clone for a few hundred quid. I will probably expand this over time to become a system 55.
Simple to assemble. Interesting to see how easy it will be to get at all the synth connections in time.
Simple to assemble. Interesting to see how easy it will be to get at all the synth connections in time.
This 3 tier rack stand was totally worth the money. It looks great, was super easy to assemble, had no missing parts, and has given me the ability to conveniently access my units smoothly. My work flow and productivity has increased by tons. I would definitely recommend this rack to anyone buying Behringer chassis units 70-104 HP.
Great module with a good amount of functionality for the price. If hp is less of an issue than your budget, this is the way to go!
Great module with a good amount of functionality for the price. If hp is less of an issue than your budget, this is the way to go!
Great Low Pass Filte
Based upon the circuitry on the classic Moog module, this low pass filter delivers great sound for a reasonable price. Having three CV inputs is a great feature, potentially freeing up a mixer. As one would expect, the filter self resonates using regeneration (resonance).
The three position range switch is a great feature, as the ranges are roughly an octave apart. If you use the apply the filter to noise with regeneration maxed out you get a near sine wave. Changing the range switch will transpose the part up or down an octave.
This unit really needs a Behringer 960 (or other modular step sequencer) to be useful. That being said, the 962 turns the 960 from an 8 step sequencer to a 16 or 24 step sequencer. Works well, and it's relatively simple to use. Highly recommended, but only if you have a 960.
This unit really needs a Behringer 960 (or other modular step sequencer) to be useful. That being said, the 962 turns the 960 from an 8 step sequencer to a 16 or 24 step sequencer. Works well, and it’s relatively simple to use. Highly recommended, but only if you have a 960.
Nice deal for a basic mixer. Feels well built, knobs are sturdy. Bought it to mix in drums modules before sending to main mixer. Having the multiples on it is an added bonus. I like the Beheringer modules are great modules for starting out in the lower price range, but the modules are nicely made.
Nice deal for a basic mixer. Feels well built, knobs are sturdy. Bought it to mix in drums modules before sending to main mixer. Having the multiples on it is an added bonus. I like the Beheringer modules are great modules for starting out in the lower price range, but the modules are nicely made.
Great VCAs but be aware that they are AC coupled so only for audio signals.
Fantastic pair of VCAs at a great price. However, be aware that they are AC coupled so you can only use them for audio signals and not control voltages. All the Behringer models I have bought have been incredibly well built, ergonomic and easy to use.
Works very well I love that it has 3 inputs and 3 mods it allows for so much variation I dont understand why more vcas have this. I was un sure because its behringer lol but I am very happy with i
Works very well I love that it has 3 inputs and 3 mods it allows for so much variation I dont understand why more vcas have this. I was un sure because its behringer lol but I am very happy with i
I previous gave this 5 stars because I really liked how it fit in my studio and laid things out nicely. Those things still apply but it’s a PITA to turn on the bottom synth. Use a power strip to turn them all on at the same time. I have recently acquired the rack ears for the behringer synths like them much better because on the rack I have I can access them better. I can also hold 4. But I am going to keep this for when I start doing modular.
EURORACK GO 1SYSTEM35
MIDICV+Gate
Gate911V-in_S-out961 INTERFACE994 MULTIPLES
960 SEQUENTIAL CONTROLLER2SYSTEM 55SYSTEM III
9609601104HP2140HP
Amazon mushes all of Behringer’s modules into a single entry, so to make things clear I’m writing about the Behringer 140 dual envelope/LFO. It’s one of their Roland System 100-style modules. It’s similar to the 150 ring mod/S&H/LFO, but whereas the 150 has been out of stock forever the 140 is widely available.
Is it any good? It works, it feels well-made, the jacks don’t wobble. I find the LFO most useful because it packs a lot of stuff in a small space. There’s a simple 1/10th attenuator, a modulation input, a selection of waveforms and an inverted output. The envelopes are a lot more plain and don’t have any modulation inputs. The sliders all have LEDs.
Any problems? The envelope sliders have a short range, which is awkward if you want fast-but-not-instant decay. There’s no selectable time range. Perhaps the first half of the sliders’ travel could have been weakly logarithmic. At 16hp, with the envelopes arranged horizontally, it’s relatively wide; if you just want one envelope and an LFO there are narrower options, although not as far as I can tell cheaper.
Im new to Eurorack so I still need to get alot of the basic utilities, this might not be the most exciting module but its super useful and was a great price. Spaghetti!
Im new to Eurorack so I still need to get alot of the basic utilities, this might not be the most exciting module but its super useful and was a great price. Spaghetti!
Seemingly, It amplifies the shrunken nature of all three of my semi modular behringer synths. I finally figured out why; the top unit is vertical...which would be fine if the semimodulars were bigger, like 5U high each....they are 3U. This needs to be a stand for at least 4 or 5 units. So... I feel its awkward.
Seemingly, It amplifies the shrunken nature of all three of my semi modular behringer synths. I finally figured out why; the top unit is vertical…which would be fine if the semimodulars were bigger, like 5U high each….they are 3U. This needs to be a stand for at least 4 or 5 units. So… I feel its awkward.
This envelope sounds great and the price makes it even better! The slider movement is silky smooth, and is a perfect addition to my other Eurorack modules . 2 Envelopes and a feature rich LFO, for an amazing price!
This envelope sounds great and the price makes it even better! The slider movement is silky smooth, and is a perfect addition to my other Eurorack modules . 2 Envelopes and a feature rich LFO, for an amazing price!
The first sound synthesis course I took used a Moog modular synthesizer (I’m old). Behringer faithfully recreates the robust features of Moog’s 902 VCA. You can select linear or exponential reactions (this switch could be a bit more sturdy feeling though. You can apply a base voltage to the circuit, that acts somewhat as an additional gain, but can also be used to set the floor of the VCA. You have two inputs (+ and -), as well as two outputs (+ and -). This can potentially free up a mixer, a multiple, and two inverters, saving you valuable rack space. Likewise, the three control inputs potentially frees up a mixer, again saving you valuable rack space. You can use the multiple control inputs to use multiple envelops to create a more complicated summed envelope. You can also use the multiple control inputs to sum an envelop with voltage output from a step sequencer or from a sample and hold circuit to create dynamic changes
Mehr „nicht passives“ Multiple geht nicht für den Preis.
Mehr nicht passives” Multiple geht nicht fr den Preis. Sehr ntzliches Modul was in meinem Rack gleich 2x Platz fand.
so far so good, looks and sounds great, feel like it is built to last, At this price ($75ish) it seemed like a no-brainer to give it a shot.
so far so good, looks and sounds great, feel like it is built to last, At this price ($75ish) it seemed like a no-brainer to give it a shot.
One of the most versatile and fun modules out there! It brings you Ring/MOD/SH/Noise and as if that wasn't enough it adds the same LFO found on the 140 module.
One of the most versatile and fun modules out there! It brings you Ring/MOD/SH/Noise and as if that wasn’t enough it adds the same LFO found on the 140 module.
Superb
The module is amazing, the multiple envelope outs and the envelope trigger buttons are very useful. The enevlopes are very easy to adjust with nice wide sweet-spots. The included LFO has more features than many LFO only modules. Of course, the design is down to Roland but Behringer’s implementation is excellent and the module feels and looks very well made. The price is the icing on the cake.
3 input audio mixer for each VCA a godsend, same for each VCA’s 3 CV inputs — saves on the need for 4 mixer modules, add the Lin/log choices — and all in all quite pretty. Nice.
3 input audio mixer for each VCA a godsend, same for each VCA’s 3 CV inputs — saves on the need for 4 mixer modules, add the Lin/log choices — and all in all quite pretty. Nice.
Amazing value, if all your modules are not too deep
As probably all know by now, Behringer makes quality products nowadays. This case is comes at an amazing value and is sturdy, however, make sure to check the depth of your modules.
As can be seen, my disting mk4 sticks out as it is quite a deep module. I had to turn the penrose quantizer upside down as well, to fit it in. From what I understand it’s 1cm less deep than the Moog case, if I had that, all of my modules would fit right it, but at almost half the price, I will definitely deal with this.
– If you add Behringers own CP1A power module, it then becomes a 100 case with power, which is incredible
– Make sure your modules are not too deep for the case
Finally tracked one down.
After stalking Reverb and Sweetwater websites for a while looking for one, elusive likely thing, finally caught one.
This was all I needed to stack my Behringers mono synths.
I’ve been an Electrical Engineer and Military Grade Product Designer for well over 30 years, before that a musician. At age 18 I bought a Minimoog Model D and lusted after a Moog Modular 35… so my review is going to be on the build quality of this “ADSR” unit.
It’s a true ADSR… but from top to bottom, technically an ADRS in the form of the Moog 911 Envelope Generator, labeled T1..T3 and Esus. S-trigger In connector has been replaced with an 1/8″ standard jack. The silkscreen is nice and the front panel metal is just a bit over 1/16″ thick. There are 5 metal standoffs about 9/16″ tall separating the pcb from the front panel…the whole assembly is rugged and well built.
The PCB uses both SMD parts and some thru-hole. All parts are mounted on one side of the pcb facing the faceplate. This helps reduce the cost of the assembly. Other cost reducers are the use of clear soldermask (I have no problem with this) and white silkscreen. True to Moog design, the silicon is all discrete.
My one and only minor minor complaint is that tantalum electrolytic capacitors were used. These have a lower MTBF than aluminum poly electrolytic caps. Maybe a better reproduction using the tantalums? Would have to see them on a scope to know. I’m being nit-picky.
One very nice feature: the PCB is conformal coated. This will keep moisture from ingressing the pcb over a long period of time. Nice work Behringer. The pcb corners are ever so slightly rounded. The pots have a great feel about them.